Ghostwriter Horror Demo: LOGIC
Ghostwriter Demo 1: LOGIC
One of the most eclectic and prolific artists in rock music, Steven Wilson has been writing, recording, and producing music continuously since the early nineties. Album releases and touring as leader of his band Porcupine Tree, and more recently as a solo artist, saw him gain a reputation for his songwriting, experimentation, and sonic excellence, resulting in many invitations to work with other artists. Among many things he has produced several albums for Grammy Award-winning Swedish metal band Opeth and he sung on UK drum and bass band Pendulum's UK number one album "Immersion". He started a solo career in 2009, and his most recent solo album "The Raven that Refused to Sing" was recorded at EASTWEST Studios with legendary recording engineer Alan Parsons at the helm. Wilson has become known for his 5.1 surround sound mixes, starting with his own projects, but more recently for remixing the catalogues of King Crimson, Jethro Tull, Roxy Music, XTC, and Yes, among others. His surround sound mixes have been Grammy nominated on four occasions, and he has twice won "Album of the Year" at the Surround Music Awards. Wilson is seen by many as the predominant progressive rock musician in the world today, and in 2012 he won "Guiding Light" at the "Progressive Music Awards" 2012, following this in 2013 with another win for best album for "The Raven that Refused to Sing".
For the first time ever, this new instrument presents some of Steven's most innovative sounds, as well as a selection of especially created instruments and replications of some instantly recognizable classic sounds originally created by other legendary producers and engineers. These organic and inspirational sounds can be used as part of the fabric of complex music productions, or as the basis for cinematic soundtrack-based music, providing a ready-made selection of sonic building blocks with years of expertise and sonic innovation already embedded in them. In addition some more straightforward and raw instruments are included, which can be manipulated via the powerful Ghostwriter instrument interface to create your own unique sounds.
A ghostwriter is a composer who writes music that will be officially credited to another person. The concept of ghostwriting goes back centuries: Wolfgang Amadeus Mozart was a well-known composer paid to ghostwrite music for wealthy patrons. These days the sound design aspect of composing music has become as important as the notes, chords and rhythms, particularly in the creation of film, game, and television soundtracks, so while Ghostwriter won't write the music for you, it has been designed to be a "ghost" collaborator in the compositional process, an invaluable and inspirational tool for creating your music.
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Creating authentic modern, interesting cinematic textures in this genre is hard work, as it takes a real knowledge of tone and effects to sound masterful. Given Wilson's experience and credits, I felt there was a lot of skill and integrity sitting next to me as I begin exploring the various textures. When you need dark and otherworldly, Ghostwriter is a beautifully sinister collection of sonic colors.
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— KEYBOARD MAGAZINE
Ghostwriter isn’t really a ghostwriter, but it is a fabulous and inspiring range of contemporary but slightly unconventional instruments that any serious media composer or more experimental music producer could benefit from.
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— SOUND ON SOUND
Designed with film, television and game soundtrack work in mind, Steven Wilson's Ghostwriter occupies a niche that's different from the typical all-in-one library. However, the edgy and distorted sounds in this collection would also provide a great resource for musicians working in rock, fusion, and funk. What is most remarkable is the attention to the big picture as well as details. These sounds were meant to go together, and in doing so, they provide a go-to progressive songwriter kit with little need to look outside the library.
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— ELECTRONIC MUSICIAN
Dirty, warped and fuzzy. My God, those basses are fat. When I heard the Spector Bass Deep Grunge and Obliterator Bass Fuzz Monster I almost fell off my chair, so nasty, so deep. Like the bass, the guitars also have a unique character. The grunts and rattling are a delight. Everything has a dirty edge, a certain vivacity that'll make you hear the musician behind the samples. This also applies to the drums. Of course, Ghostwriter contains processed drum sounds, with huge rumble and other tasteful effects but the drydrum set with a wonderful dynamic sound contains the necessary imperfections making it sound like a real drummer.
Conclusion: For producers of film music, Ghostwriter can be a huge source of inspiration. And musicians with a preference for the more obscure can indulge themselves with this library. Writers of nice, airy songs, however, will see their good mood disappear like snow in the sun after fifteen minutes on the Evil Piano. The dark side of Ghostwriter will not appeal to everyone. I think the sheer depth and uniqueness of the sounds surpass what is currently on offer when it comes to virtual instruments. Ghostwriter sounds great and very distinctive.
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